Clatsop Community College’s 16th Annual Au Naturel Exhibition Unveils Diverse Visions of the Human Form
Siren by Karina Andrews
Exhibition Dates: January 22 – March 12, 2026
Community Reception: February 12, 6:00 p.m.
Location: Royal Nebeker Gallery, 1799 Lexington Avenue, Clatsop Community College, Astoria, OR
The sixteenth annual international juried exhibit, Au Naturel: The Nude in the 21st Century, will be on display from January 22 through March 12, 2026, with a community reception on Thursday, February 12, 2026, at 6:00 p.m., at Clatsop Community College’s Royal Nebeker Art Gallery, located at 1799 Lexington Avenue, Astoria, OR.
This prestigious exhibition celebrates the enduring subject of the nude human figure in contemporary art, featuring diverse interpretations across a wide range of media including drawing, painting, printmaking, and a limited selection of three-dimensional work where the handmade mark remains central.
Awards to be announced at the reception include $1,000 in cash prizes, up to $2,000 in purchase awards, opportunities for future solo or group exhibitions at the Royal Nebeker Gallery, and a select number of visiting artist workshop awards. This reception is free and open to the public and light refreshments will be served.
Gallery visitors are invited to cast a vote for their favorite piece throughout the full run of the exhibit. Ballots will be tallied at the close of the show, and the winner of the People’s Choice Award will be announced.
This year, 48 works of art were selected from over 300 images submitted by artists from 20 states in addition to international submissions from Canada. The 2026 exhibit will include artwork created by 39 artists from 12 states across the U.S. and Canada.
Grappling with Reality by Linda Jerome
It is a testament to the incredibly vibrant figurative artist community on Oregon’s North Coast that six artists from the area were selected for the 2026 show: Karina Andrews (Astoria), Bryan Hobein (Astoria), Roger McKay (Astoria), Ben Rosenberg (Manzanita), Sherrie Wolf (Manzanita), and Karen Strand (Longview).
The exhibition showcases a rich range of stylistic approaches and expressive content. For example:
Karina Andrews (Astoria, OR) contributes Siren, a woodblock print on paper that reflects on the disconnection from one’s body after childbirth: “a body suddenly torn apart and stretched into previously unknown forms—wading through a new sea of body realities, expectations and physical responsibilities.”
Roger McKay (Astoria, OR) brings Sophia, Nude Humanoid AI Robot, an oil on panel that portrays a humanoid AI robot reclining nude on a chaise lounge, drawing direct inspiration from Manet’s Olympia and Giorgione’s Sleeping Venus.
Beth Kehoe (Lake Forest Park, WA) presents Mountain Woman, a painting expressing the emotion of being curled up and content in nature, deeply connected yet unaffected by shifting winds and weather.
Two striking ceramic sculptures by Linda Jerome (Hillsboro, OR) were selected, including Grappling with Reality (Cone 6 stoneware with stain and glaze), adding a tactile, three-dimensional presence to the show.
Elena Frost (Greenville, SC) reimagines Giambologna’s classical subject in The Abduction of a Sabine Woman, an oil on canvas that transforms historical conflict into “mutual harmony, celebrating sensual unity… bodies in rhythmic balance… reborn in modern tenderness and beauty.”
The Abduction of a Sabine Woman by Elena Frost